“We dropped different numbers of balls at different rates, different heights. We had a ramp. The ramps were at different angles, trying to get the most out of the balls as they hit the actors. After doing the tests, we figured out 35 feet above the deck of the ship was the height we needed our nets. We had these three big nets that held almost 80,000 per net. The balls dropped 35 feet into ramps that projected them towards the stunt guys. It just knocked them over. It was pretty spectacular.”
“It’s amazing to see a bunch of 40 and 50-year-olds turn into three-year-olds all of a sudden. Everybody had to pick up blue balls, hit the other guy in the head. It was like, ’Is it time for the parents to come pick up the kids?’”
Shoutout to Baldurs Gate 3 for having a magical girl transformation sequence but instead of a teenager in a short skirt it’s a lesbian aasimar paladin in full plate about to open 13 cans of fucking whoop ass
sleepy supersoldiers round up from twitter, where you can witness my rapidly fraying emotional state and growing inability to draw things that aren’t bucky barnes
You know that post about how angels and telephone towers are biologically compatible? That’s how I feel about overgrown plants and industrial machines.
You know what I’m a slut for? When a character visibly drops a ruse. Like, the way their face changes the moment they give up a facade and reveal themselves.
This applies to revealing love, apathy, anger, evil intent. I mcfuckin love it.
